Didone is a genre of seriftypeface that emerged in the late 18th century and is particularly popular in Europe. It is characterized by:
Narrow and unbracketed (hairline) serifs. (The serifs have a constant width along their length.)
Vertical orientation of weight axes. (The vertical strokes of letters are thick.)
Strong contrast between thick and thin lines. (Horizontal parts of letters are thin in comparison to the vertical parts.)
Some stroke endings show ball terminals. (Many lines end in a teardrop or circle shape, rather than a plain wedge-shaped serif.)
An unornamented, "modern" appearance.
The category is also known as modern or modern face serif fonts, in contrast to old style serif designs, which date to the Renaissance period.
Didone types were developed by printers including Firmin Didot, Giambattista Bodoni and Justus Erich Walbaum, whose eponymous typefaces, Bodoni, Didot, and Walbaum, remain in use today. Their goals were to create more elegant, classical designs of printed text, developing the work of John Baskerville in Birmingham and Fournier in France towards a more extreme, precise design with intense precision and contrast, showing off the increasingly refined printing and paper-making technologies of the period. These trends were also accompanied by changes to page layout conventions and the abolition of the long s.
Critical response to Modern has been mixed-to-negative.
Michael Sandlin of Pitchfork called it "wholly ill-conceived and mind-numbingly dull" and that "[it] seems like a weak attempt by a once-great band to simply sound 'current', whatever that means." Joshua Klein of The A.V. Club, on the other hand, wrote "the band reunited in time to ride the new punk wave, but something was missing from its two capable comeback albums. The new Modern is something else entirely: Essentially picking up where the band left off in 1981, the ironically-titled disc sounds like it was recorded just as punk turned into new wave", calling it "retro in the best sense".
All songs written and composed by Pete Shelley, except where noted.
An adit (from Latin aditus, entrance) is an entrance to an underground mine which is horizontal or nearly horizontal, by which the mine can be entered, drained of water, ventilated, and minerals extracted at the lowest convenient level. Adits are also used to explore for mineral veins.
Adits are driven into the side of a hill or mountain, and are often used when an ore body is located inside the mountain but above the adjacent valley floor or coastal plain. In cases where the mineral vein outcrops at the surface, the adit may follow the lode or vein until it is worked out, in this case the adit is rarely straight. The use of adits for the extraction of ore is generally called drift mining.
Adits can only be driven into a mine where the local topography permits. There will be no opportunity to drive an adit to a mine situated on a large flat plain, for instance. Also if the ground is weak, the cost of shoring up a long adit may outweigh its possible advantages.
The 491 Gallery was a squattedsocial centre and multi-disciplinary gallery in Leytonstone, London, England, that operated from 2001 to 2013. Taking its name from its street number, 491 Grove Green Road, the former factory was home to a community-led art organisation and served as an exhibition space for a diverse range of artists of different origins working in varied media. It contained a range of art and music studios, which were used to host workshops, classes and musical rehearsals.
The building, originally a factory, was later used as a storage space and warehouse for materials being used to construct the A12 that cuts through Leytonstone and the surrounding areas. Unlike the rest of the surrounding buildings, it and the few neighbouring houses were not subject to compulsory purchase orders and demolition for the A12 site. When in late 2000 the building was abandoned, it became occupied by a group of homeless drug users, who remained in it for some six months. Within a month of their vacating the premises, the building was reoccupied by a group of artists, who spent the next several years turning it into a community space. The neighbouring building, formerly houses, was also occupied, and named Vertigo, after the film by Alfred Hitchcock, a famous resident of Leytonstone.
Last year marked the opening of the Amos Rex Museum, a $58-million undertaking that consists of underground galleries with domed ceilings that bulge from the earth like alabaster foothills ...Others are sprawling properties outside Old Town, such as Kumu, which has galleries with historic Estonian art and modern works....
London breaks visitors bank accounts ... God's Own Junkyard ... Images ... A post shared by NationalGallery (@nationalgallery) on Aug 31, 2019 at 6.47am PDT. National Gallery. State-run museums in London are free! Even the fantastic British Museum and the TateModern. If we had to choose just one – and we don't really have to – it would be the National Gallery....
Make it modern Courtesy of the artist and Mariane IbrahimGallery Amoako Boafo’s “Sunflower Shirt” is among the art you will find at this weekend’s ExpoChicago ... 22, galleries, artists, collectors and browsers are converging for fall’s biggest art event, Expo Chicago, where 135galleries from 24 countries showcase contemporary art....
Just 30 minutes from Denver is a modern mountain escape called Serenity Falls with an asking price of $6,995,000... The four-bedroom, seven-bath home was built in 1975 and renovated in a modern contemporary style in 2008. Click through the gallery above to tour the home inside and out ... ....
... which is a working studio-gallery-yoga studio-mingling space, showcasing artists from a street art background. ... Paintings, prints, statues and t-shirts with modern and traditional images of the Virgin Mary collected by Rosita Sweetman at CopperHouseGallery....
Over the past few years, there’s been a <ahref="”https.//qz.com/africa/1125610/africas-art-boom-is-yet-to-reach-emerging-artists/”>growing" demand for modern and contemporary African art signified by the opening of new museums and galleries, growing valuations for artwork and the proliferation of fairs....
Qatar is a place where cultural authenticity meets modernity... An architectural masterpiece by Jean Nouvel, it has a winding 1.5-kilometer gallery path that takes visitors on a mesmerizing journey through a series of unique, immersive environments ... ModernHistory of Qatar’....