Didone is a genre of seriftypeface that emerged in the late 18th century and is particularly popular in Europe. It is characterized by:
Narrow and unbracketed (hairline) serifs. (The serifs have a constant width along their length.)
Vertical orientation of weight axes. (The vertical strokes of letters are thick.)
Strong contrast between thick and thin lines. (Horizontal parts of letters are thin in comparison to the vertical parts.)
Some stroke endings show ball terminals. (Many lines end in a teardrop or circle shape, rather than a plain wedge-shaped serif.)
An unornamented, "modern" appearance.
The category is also known as modern or modern face serif fonts, in contrast to old style serif designs, which date to the Renaissance period.
Didone types were developed by printers including Firmin Didot, Giambattista Bodoni and Justus Erich Walbaum, whose eponymous typefaces, Bodoni, Didot, and Walbaum, remain in use today. Their goals were to create more elegant, classical designs of printed text, developing the work of John Baskerville in Birmingham and Fournier in France towards a more extreme, precise design with intense precision and contrast, showing off the increasingly refined printing and paper-making technologies of the period. These trends were also accompanied by changes to page layout conventions and the abolition of the long s.
Critical response to Modern has been mixed-to-negative.
Michael Sandlin of Pitchfork called it "wholly ill-conceived and mind-numbingly dull" and that "[it] seems like a weak attempt by a once-great band to simply sound 'current', whatever that means." Joshua Klein of The A.V. Club, on the other hand, wrote "the band reunited in time to ride the new punk wave, but something was missing from its two capable comeback albums. The new Modern is something else entirely: Essentially picking up where the band left off in 1981, the ironically-titled disc sounds like it was recorded just as punk turned into new wave", calling it "retro in the best sense".
All songs written and composed by Pete Shelley, except where noted.
An adit (from Latin aditus, entrance) is an entrance to an underground mine which is horizontal or nearly horizontal, by which the mine can be entered, drained of water, ventilated, and minerals extracted at the lowest convenient level. Adits are also used to explore for mineral veins.
Adits are driven into the side of a hill or mountain, and are often used when an ore body is located inside the mountain but above the adjacent valley floor or coastal plain. In cases where the mineral vein outcrops at the surface, the adit may follow the lode or vein until it is worked out, in this case the adit is rarely straight. The use of adits for the extraction of ore is generally called drift mining.
Adits can only be driven into a mine where the local topography permits. There will be no opportunity to drive an adit to a mine situated on a large flat plain, for instance. Also if the ground is weak, the cost of shoring up a long adit may outweigh its possible advantages.
The 491 Gallery was a squattedsocial centre and multi-disciplinary gallery in Leytonstone, London, England, that operated from 2001 to 2013. Taking its name from its street number, 491 Grove Green Road, the former factory was home to a community-led art organisation and served as an exhibition space for a diverse range of artists of different origins working in varied media. It contained a range of art and music studios, which were used to host workshops, classes and musical rehearsals.
The building, originally a factory, was later used as a storage space and warehouse for materials being used to construct the A12 that cuts through Leytonstone and the surrounding areas. Unlike the rest of the surrounding buildings, it and the few neighbouring houses were not subject to compulsory purchase orders and demolition for the A12 site. When in late 2000 the building was abandoned, it became occupied by a group of homeless drug users, who remained in it for some six months. Within a month of their vacating the premises, the building was reoccupied by a group of artists, who spent the next several years turning it into a community space. The neighbouring building, formerly houses, was also occupied, and named Vertigo, after the film by Alfred Hitchcock, a famous resident of Leytonstone.
Museums and art galleries were forced to close their doors once again as the nation continues to battle the coronavirus pandemic – however, there is a light at the end of the tunnel, as all four UK countries have started easing lockdown restrictions ...ScottishNationalGallery, for example, will reopen on May 6, while Modern One reopens on May 16.
Beirut, Lebanon – In early 2020, Lebanese-Armenian designer Gaia Fodoulian was busy planning the launch of her new virtual gallery. The 29-year-old sought to support the region’s artists and designers with a further-reaching, modern platform ... Vartivarian’s own Letitia Gallery in Hamra shuttered for good following the blast.
Exactly 168 years ago, the first passenger train ran between Bori Bunder (Bombay) and Thane. The date was 16th April, 1853 and the distance was roughly 34 kms. It carried 400 passengers ... The railways of India and historical journey. The miniature India gallery at National Rail Museum depicts modern India through working rail models ... Also Read ... .
(Freer Gallery of Art / Smithsonian Institution ) ... What could Haliphat be trying to communicate with her uniquely intentional hand shapes? (Freer Gallery of Art / Smithsonian Institution ) ... (Freer Gallery of Art / Smithsonian Institution ) The Future of Palmyra is in Our Hands ... Freer Gallery of Art / Smithsonian Institution.
Anne Neville. Sept. 12, 1918 – March 3, 2021. Florence K... Florence K ... She was 102 ... She grew up in Brooklyn ... Mrs ... Mrs ... Hellwitz enjoyed reading, listening to classical music, jazz and musicals from the 1940s and '50s, as well as ballet and modern dance. She also enjoyed visual arts, which she supported through her membership in the Albright-Knox ArtGallery.
The commitment to uncompromising quality, true originality and impeccable modern service continue to challenge traditional perceptions of luxury and entrench EDITION's position as an industry leader ...The end result offers the best of dining and entertainment, modern luxury services and amenities "all under one roof.".
Since its foundation in 1997 by Cathia Klimovsky, EdenFineArt has evolved into a global network of high-end art galleries representing a selection of international artists, each with a uniquely modern approach to creation ... With premier�gallery spaces, including locations in New ...
MENART Fair will feature works from 22 galleries hailing from 13 different countries ... “I don’t want to now because it’s not good for the galleries and people’s mood ... Among MENART’s participating galleries are two from Saudi Arabia — MonoGallery and Athr Gallery ... MENART Fair will feature works from 22 galleries hailing from 13 different countries.